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Shroud

The Shroud series (2013) stems from a biographical experience of the artist who, in 1999, was barred from donating blood to his own father due to the prohibition against homosexual donors. Years later, in collaboration with doctors and chemical engineers, Nóbrega transformed his blood into printer ink. Using this ink, he printed a series of naive flowers and healing or protective plants used in Afro-Brazilian religions (such as Mother-in-law's tongue and Guinea Henweed), creating a "flower shop." In 2020, the Supreme Federal Court (STF) overturned this ban and, to celebrate this milestone, invited the artist to exhibit the series in the Court’s Hall of Busts. The exhibition featured an introductory text by Justice Luís Roberto Barroso, president of the STF at the time. The title Shroud appropriates the religious concept of the cloth that wrapped the body of Christ and retained the impression of his face.

Exhibition Catalogue

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Shroud (2013), video art

Floricultura Exhibition (2024), Shroud series at the Supreme Federal Court

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The Art of Bleeding: Artist Christus Nóbrega’s talk at STF Inspira.

Shroud Series (2013) – Inkjet print with the artist's blood-ink

Shroud Series (2013) – Inkjet print with the artist's blood-ink

Shroud Series (2013) – Inkjet print with the artist's blood-ink

Shroud Series (2013) – Inkjet print with the artist's blood-ink

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Avenida do Sol / Quintas de Interlagos L11, Jardim Botânico Brasília - DF, 71.680-375, Brasil

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© 2035 by Christus Nóbrega.

 

A série Bibliomancia, iniciada em 2013, apropria-se da antiga prática oracular homônima que consiste em abrir livros aleatoriamente para buscar presságios em trechos sorteados. Guiado por esse acaso, o artista intervém em volumes garimpados imprimindo autorretratos diretamente sobre as páginas reveladas, estabelecendo um diálogo imprevisto e por vezes irônico entre a sua própria imagem e o conteúdo textual preexistente. Nessas obras, o livro atuar como um corpo escultórico e um relicário aberto, onde a fusão entre a mancha gráfica da palavra e a figura humana gera novas narrativas.

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