Embraces for Those Who Guard Me

By recombining a collection of photographs of trunks, branches, and tree fragments, these images construct a world where nature becomes a subject of fabulation. From this blurring of boundaries, hybrid forms emerge, evoking fantastic trees, impossible organisms, and imaginary botanical geographies. Resting upon these structures are human hands—a silent presence that appears not as a gesture of dominance or possession, but as a marker of contact, care, and symbiosis. By touching these impossible "trees," the human body imbues them with an affective and relational dimension, inviting the viewer to see the landscape not as something static, but as a field of metamorphosis, projection, and alliances between the human and the vegetal. The work thus proposes a play between the real and the fictional, in which nature recomposes itself from its own remains.